Occasional topics

Poetry for Spring
Hannibal Hamlin

Boticelli's The Three Graces

April is here, so even in Mansfield Spring must be just around the corner!   With Spring comes renewal, rebirth, recommitment, turning over new leaves, and all, and all.   This has been true for as long as people have been around, it seems, so I thought I'd offer some literary responses to this time of year.   The first batch are poems specifically about the month of April, but I've included some more general Spring poems as well. (And the image? a detail of The Three Graces from Botticelli's Primavera.)

Chaucer's Canterbury Tales is one of the great poems of English Literature, full of tales in verse by a group of Canterbury Pilgrims that range across the entire social spectrum: knights, nuns, monks, clerks, millers, cooks, and everything in between.   The General Prologue announces the beginning of Spring, when, in addition to nature springing forth, people seem to want to go on pilgrimages.   What exactly the relationship is between birds and bees and religious pilgrims is one of the first questions the poem asks!

Geoffrey Chaucer, The Canterbury Tales
"General Prologue"

Whan that Aprill, with his shoures soote
The droghte of March hath perced to the roote
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his sweete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours yronne,
And smale foweles maken melodye,
That slepen al the nyght with open eye--
(So priketh hem Nature in hir corages);
Thanne longen folk to goon on pilgrimages
And palmeres for to seken straunge strondes
To ferne halwes, kowthe in sondry londes;
And specially from every shires ende
Of Engelond, to Caunterbury they wende,
The hooly blisful martir for the seke
That hem hath holpen, whan that they were seeke.

For a totally different (or is it?) perspective on April, here is T.S. Eliot's long poem, The Waste Land , one of the most important poems of the twentieth century, which helped usher in the modernist period.   It's famously cryptic and difficult (qualities the modernists like Eliot, Pound, and Joyce valued), but it's powerful even when half-understood, and this may even be the point.   If you're interested in exploring the poem further, here are a couple of websites, which provide commentary and hypertext versions with built-in notes.

http://eliotswasteland.tripod.com/links.html#texts

http://world.std.com/~raparker/exploring/thewasteland/explore.html

THE WASTE LAND
(1922)
T.S. Eliot

"Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere,
et cum illi pueri dicerent: Sibylla ti theleis; respondebat illa: apothanein thelo."

I.   The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,                               10
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm' aus Litauen, echt deutsch.
And when we were children, staying at the archduke's,
My cousin's, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

    What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,                             20
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water.
Only There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.                            30
Frisch weht der Wind
Der Heimat zu
Mein Irisch Kind,
Wo weilest du?
"You gave me hyacinths first a year ago;
"They called me the hyacinth girl."
--Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,                         40
Looking into the heart of light, the silence.
Od' und leer das Meer .

    Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.                                                       50
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

    Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying "Stetson!
"You who were with me in the ships at Mylae!                        70
"That corpse you planted last year in your garden,
"Has it begun to sprout? Will it bloom this year?
"Or has the sudden frost disturbed its bed?
"Oh keep the Dog far hence, that's friend to men,
"Or with his nails he'll dig it up again!
"You! hypocrite lecteur!--mon semblable,--mon frere!"

 

TO FRANCIS JAMMES
By Robert Bridges

'TIS April again in my garden, again the grey stone-wall
Is prankt with yellow alyssum and lilac aubrey-cresses;
Half-hidden the mavis caroleth in the tassely birchen tresses
And awhile on the sunny air a cuckoo tuneth his call:
Now cometh to mind a singer whom country joys enthral,
Francis Jammes, so grippeth him Nature in her caresses
She hath steep'd his throat in the honey'd air of her wildernesses
With beauty that countervails the Lutetian therewithal.
You are here in spirit, dear poet, and bring a motley group,
Your friends, afore you sat stitching your heavenly trousseau--
The courteous old road-mender, the queer Jean Jacques Rousseau,
Columbus, Confucius, all to my English garden they troop,
Under his goatskin umbrella the provident Robinson Crusoe,
And the ancestor dead long ago in Domingo or Guadaloupe.

 

Alfred, Lord Tennyson, from In Memoriam

CXV

Now fades the last long streak of snow,
    Now burgeons every maze of quick
    About the flowering squares, and thick
By ashen roots the violets blow.

Now rings the woodland loud and long,
    The distance takes a lovelier hue,
    And drown'd in yonder living blue
The lark becomes a sightless song.

Now dance the lights on lawn and lea,
    The flocks are whiter down the vale,
    And milkier every milky sail
On winding stream or distant sea;

Where now the seamew pipes, or dives
    In yonder greening gleam, and fly
    The happy birds, that change their sky
To build and brood; that live their lives

From land to land; and in my breast
    Spring wakens too; and my regret
    Becomes an April violet,
And buds and blossoms like the rest.

 

Home-Thoughts from Abroad
By Robert Browning

I.

OH, to be in England
Now that April's there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England--now!

II.

And after April, when May follows,
And the whitethroat builds, and all the swallows!
Hark, where my blossomed pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops--at the bent spray's edge--
That's the wise thrush; he sings each song twice over,
Lest you should think he never could recapture
The first fine careless rapture!

And though the fields look rough with hoary dew
All will be gay when noontide wakes anew
The buttercups, the little children's dower
--Far brighter than this gaudy melon-flower!

 

Song
By William Watson

April, April,
Laugh thy girlish laughter;
Then, the moment after,
Weep thy girlish tears!
April, that mine ears
Like a lover greetest,
If I tell thee, sweetest,
All my hopes and fears,
April, April,
Laugh thy golden laughter,
But, the moment after,
Weep thy golden tears!

 

Over the Land is April
By Robert Louis Stevenson

OVER the land is April,
Over my heart a rose;
Over the high, brown mountain
The sound of singing goes.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain,
Love, do you hear me sing?

By highway, love, and byway
The snows succeed the rose.
Over the high, brown mountain
The wind of winter blows.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain
I sound the song of spring,
I throw the flowers of spring.
Do you hear the song of spring?
Hear you the songs of spring?

 

April
By Herbert Read

To the fresh wet fields
and the white
froth of flowers

Came the wild errant
swallows with a scream.

 

Early Spring
By John Clare

Winter is past--the little bee resumes
Her share of sun & shade & oer the lea
Hums its first hymnings to the flowers perfumes
& wakes a sense of gratfulness in me
The little daisey keeps its wonted pace
Ere march by april gets disarmd of snow
A look of joy opes on its smiling face
Turnd to that power that suffers it to blow
Ah pleasant time as pleasing as ye be
One still more pleasing, hope reserves for me
Where suns unsetting one long summer shine
Flowers endless bloom where winter neer destroys
O may the good mans righteous end be mine
As I may witness these unfading joys

 

from John Davidson, "Spring"

II

Certain, it is not wholly wrong
To hope that yet the skies may ring
With the due praises that belong
To April over all the Spring:
If one could only make a song
The birds would wish to sing.
The beggar starts his pilgrimage;
And kings their tassel-gentles fly;
The labourer earns a long day's wage;
The knight, a star of errantry,
With some lost princess for a page
Strays about Arcady.
Now fetching water in the dusk
The maidens linger by the wells;
The ploughmen cast their homespun husk,
And, while old Tuck his chaplet tells,
Themselves in spangled fustian busk,
And garters girt with bells.
Maid Marian's kirtle, somewhat old,
A welt of red must now enhance;
Oho! ho ho! in silk and gold
The gallant hobby horse shall prance;
Sing hey, for Robin Hood the bold;
Heigh ho, the morris-dance!
Oh foolish fancy, feebly strong!
To England shall we ever bring
The old mirth back? Yes, yes; nor long
It shall be till that greater Spring;
And some one yet may make a song
The birds would like to sing.

 

ee cummings

in Just-
spring when the world is mud-
luscious the little
lame balloonman
whistles far and wee

and eddieandbill come
running from marbles and
piracies and it's spring

when the world is puddle-wonderful

the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing
from hop-scotch and jump-rope and

it's spring
and the goat-footed
balloonMan whistles
far
and
wee